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Any Sound You Can Imagine: Making Music/Consuming Technology (Music/Culture) by Paul Theberge

Any Sound You Can Imagine: Making Music/Consuming Technology (Music/Culture) Paul Theberge ebook
Publisher: Wesleyan
Format: chm
ISBN: 0819563099, 9780819563095
Page: 303

Crunk in the south was conceived and mixed/mastered to be consumed on car sound system. Here's a partial list; if you can think of other notable factors/tech (esp particular devices and their quirks), please make a note in the comments: These digital devices have become, for many, the primary interfaces with sound recordings, especially in the form of mp3s, compressed music files that allow for easy circulation and storage by adding a further layer of frequency .. Freemium It is then believed that the artist can use the popularity to leverage and commercialize other assets the music artist can profit from – entrance into film & television, merchandising, concert tickets sales, endorsements, etc. We knew that this would happen and of course it's bearing fruit as far as I can see in terms of people's reactions to Rated O, where people say, “God, you can make one single 45 minute album out of this. Are you going to become a pop band? Have you thought about making music for kids? (That's a joke.) Mark: It's Then “No Business,” which was a 100% found sound cut-up project, then a pretty accessible DVD compilation of all of our short films, and then '”Thigmotactic,” which is the all songs pseudo-pop project I think you are referring too. Featureteaser: This music brings Hermetic and Buddhist insights into a contemporary setting where they interact in a relevant way with our media-saturated culture, transforming ambient urban noise into a complex meditation. Learn about how things around you work with students from Stanford's Transformative Learning Technologies Lab. As you are reading this account many years after I conducted this exercise, you can tell that any irreparable harm to which I was subjected was not damaging enough to suck me into a completely anti-social malignancy. Do we want to live in a world where stealing is justified because technology allows it, you can get away with it and everybody else is doing it? How does an experimental music band experiment? 3) Because of points (1) and (2), the competitive price for owning/storing/listening to recorded music in any format is fast becoming $0.00, and the general public is accepting the idea of “Freemium” as the norm. Interested participants can register for any of the activities individually here ($20 including box-lunches offered at noon), except for the MOUSE activity below offered at no charge. Can this jukebox attract their interest? To date, more than a decade into the digital revolution, no subscription music service has broken through to mass appeal. There's a little bit of power-tripping in that, maybe, and a little bit of ego, and one of the cool things about where we're at right now with technology and music and intellectual property is that it's a little bit of a wild west moment right now, and nobody really knows what the rules are.